The Hollywood Reporter

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

AWARDS SEASON KEY DATES

The Hollywood Reporter

How Grown-Ups Love • Clear-eyed romance and realistic relationships, not sugarcoated fantasies, drive international contenders like The Taste of Things, The Promised Land and Fallen Leaves

Yes, I Did Say That! • Who’s saying what in the awards race

Lensing Loss With Subtlety • Cinematographer Jamie D. Ramsay created warmth and a sense of ‘organic nostalgia’ in All of Us Strangers

Top Honors, Shortlists Change the State of the Race • With AFI releasing its top 10 films and other guilds and organizations handing out mentions in quick succession, THR’s awards analyst examines how the race to the Oscars is evolving

Da’Vine Joy Randolph • The Tony-nominated actress has her biggest role yet in The Holdovers, for which she brought authenticity to the screen — learning both a Boston accent and how to smoke

Assembling the Osage Nation Onscreen • The casting directors for Apple’s Killers of the Flower Moon — one a longtime Martin Scorsese collaborator, the other a specialist in Native and First Nations performers — describe how they found the film’s ensemble

Dua Lipa on Writing for Barbie’s Best Day Ever • The musical artist opens up about working on her song ‘Dance the Night’ for Greta Gerwig’s feature, her cameo in the film and her upcoming third album

‘IT’S NOT JUST ABOUT MONEY — IT’S OWNERSHIP AND IT’S RESPECT’ • THE CAST OF AMAZON’S AIR REUNITES TO TALK ABOUT FIGHTING FOR YOUR WORTH, JENNIFER LOPEZ’S CASTING ADVICE AND HOW TO ACT OVER THE PHONE

HOW A RIVERDALE IDOL BECAME AN OVERNIGHT OSCAR CONTENDER • CHARLES MELTON REVEALS HOW HE PREPARED FOR HIS EMOTIONALLY COMPLEX BIG-SCREEN ROLE IN MAY DECEMBER — AND SAYS THE TEEN TV DRAMA WAS ESSENTIALLY HIS ACTING SCHOOL

AMERICA FERRERA CAN FINALLY TALK ABOUT HER VERY, VERY GOOD YEAR • THE BARBIE AND DUMB MONEY STAR DISCUSSES CASTING CHALLENGES, HER DIRECTORIAL DEBUT AND REVISITING UGLY BETTY

BRINGING COMIC RELIEF WITH A BITING, SNOBBISH EDGE • SALTBURN STAR ROSAMUND PIKE ON HER SCENE-STEALING PERFORMANCE THAT TURNS ON ITS HEAD WITH A GROUNDED THIRD-ACT TWIST

MAKING OF MAESTRO • Director-producer-star Bradley Cooper spent six years learning how to conduct an orchestra like Leonard Bernstein, but that was only the beginning of the lengths to which he and his creative team would go in order to nail down the details of a biographical epic spanning four decades

The Cast of The Birdcage Soared at the SAG Awards