The Hollywood Reporter

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

The Hollywood Reporter

For Actors, Marriage Spats Are Golden • Domestic quarrels are likely relatable for filmgoers — but for performers, bombastic scenes with blowout arguments are the perfect vessels for dramatic muscles

Yes, I Did Say That! • Who’s saying what in the awards race

The Cutting Room Is One of Alexander Payne’s ‘Happy Places’ • Kevin Tent, who has been editing the director’s movies for nearly three decades, talks about what makes their collaboration work and their latest film, The Holdovers

Awards Bodies Begin to Weigh In • THR’s awards analyst assesses the latest developments in the race as critics groups and more start to make their selections

An Elegant Reconciliation • For a key scene in Maestro, Carey Mulligan’s Felicia Montealegre returns to her husband, Bradley Cooper’s Leonard Bernstein, in a chic dress that’s both sophisticated and sexy

‘I HAVE A STORY TO TELL BEFORE I LEAVE THIS EARTH’ • DIRECTORS OF SIX OF THIS YEAR’S MOST ACCLAIMED DOCUMENTARIES DISCUSS WHAT SPARKED THEIR FILMS, CHALLENGES IN THIS GOLDEN AGE OF DOCS AND HOW REACTIONS TO THEIR WORK GIVE THEM HOPE

THE ZONE OF INTEREST • For his haunting Holocaust drama about a real-life Nazi family who lived a bucolic life just over the wall from Auschwitz, director Jonathan Glazer eschewed the normal ‘tricks’ of cinema to fashion an utterly fresh — and deeply disturbing — meditation on the banality of evil

Finns Are ‘Very Shy People and We Enjoy Our Silence’ • Fallen Leaves star Alma Pöysti on Aki Kaurismäki’s quietly funny film, with ‘the shortest script I ever read’ and what it was like to shoot on film: ‘It was time travel for us digital kids’

Namibia Makes Its First Oscar Entry • With Under the Hanging Tree, the southern African country hopes to land a spot on the international feature shortlist

‘When Was America Great, and for Whom?’ • Oscar-nominated filmmaker Raoul Peck explains why he abandoned the tropes of documentary filmmaking for his latest feature, Silver Dollar Road

An Indian Father as a Model for Male Allyship • Nisha Pahuja’s doc To Kill a Tiger chronicles a farmer’s unprecedented battle against a patriarchal culture and his daughter’s resolve after a brutal sexual assault

Buena Vista Social Club Put Wenders on Oscar’s Radar