Schroder

October 22, 2012
Gaige (The Folded World) revisits the fragility of family life in her newest, based broadly on the Clark Rockefeller child custody kidnapping case. The book—written as an apology (in both the Socratic and emotional sense) to the narrator’s ex-wife as he awaits trial—is quiet and deeply introspective. Erik Schroder was born in East Berlin, but escaped with his father to working-class Boston. Recreating himself as Eric Kennedy, raised in a fictional town by a patrician family, the narrator distances himself from his past to gain entrée into American aristocracy. But his marriage—based on lies—goes sour, and in the midst of the resultant unfavorable custody arrangement, Eric takes his six-year-old daughter, Meadow, on an unsanctioned road trip through New England, seizing the opportunity to reconnect with her, even as he realizes that this idyllic time is as illusory as his past. Although Eric is often unreliable, Gaige conjures a groundswell of sympathy for an otherwise repugnant character. Tender moments of observation, regret, and joy—all conveyed in unself-consciously lyrical prose—result in a radiant meditation on identity, memory, and familial love and loss. Agent: Wendy Weil, the Wendy Weil Agency.

Starred review from September 1, 2012
A man's collapsed marriage and growing madness imperils his young daughter in this bracing third novel by Gaige (The Folded World, 2007, etc.). Narrator Eric Kennedy makes clear early on that he's done something very wrong: At the behest of his lawyers, he's writing his ex-wife to explain why he disappeared with their six-year-old daughter, Meadow, for a week. Like many unreliable narrators before him, he's bathing in narcissism and has a hard time facing facts, but Gaige makes the discovery process at once harrowing and fascinating. Eric escaped from East Germany with his father as a child and changed his name (from Erik Schroder, hence the title). As an adult, he was a caring husband and father, but his erratic behavior (like keeping a dead fox in the backyard as a kind of science project for Meadow) sunk the marriage, and his limited visitation rights prompted him to effectively kidnap Meadow and take her on an extended tour of upstate New York and New England. Abductors are hard to make sympathetic, but Gaige potently renders the embittered fun-house logic of a man who's lost his bearings. ("There was nothing in our parental agreement that said I couldn't drive around the outskirts of Albany at high speeds.") Gaige is interested in what widens and closes the gaps in our personalities between the past and present, madness and sanity, and she expertly works the theme like an accordion player until the climax, when Meadow is truly endangered, and Eric has a moment of clarity. The concluding plot turns are bluntly deus ex machina, and some characters, such as the aging muse for an '80s pop hit, hit the split personality theme in an obvious way, but overall the storytelling is remarkably poised. Smart, comic, unsettling, yet strangely of a piece--not unlike its disarming lead character.

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September 1, 2012

First-generation East German immigrant Erik Schroder renames himself Erik Kennedy, an act that proves fateful decades later when he holes up with his daughter during a pitched custody battle with his estranged wife. From a National Book Foundation "5 Under 35" Outstanding Emerging Novelist; booming in-house enthusiasm.

Copyright 2012 Library Journal, LLC Used with permission.

November 1, 2012
In a letter to his estranged wife, Erik Schroder pleads for mercy and understanding, as he attempts to explain the recent, unsanctioned trip he has taken with his young daughter, Meadow. Woven throughout the novel is Erik's personal history. Originally from East Germany, during his teenage years Erik becomes convinced that he does not fit in with his peer group and creates a new, Americanized identity, calling himself Eric Kennedy. This ruse lasts for many years, through college, a marriage, a semisuccessful career, and fatherhood. However, in the midst of a heated custody battle, Erik slowly becomes unhinged and makes a grave mistake that results in the unraveling of his elaborate secret. Gaige creates a fascinating and complex character in Erik, as he moves from the eccentric and slightly irresponsible father to a desperate man at the end of his rope. While the novel's format occasionally lends itself to overly dramatic prose, this does not take away from its warmth and expert exploration of the immigrant experience, alienation, and the unbreakable bond between parent and child.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

April 29, 2013
The success or failure of the audio edition of a deeply interior novel hinges on the quality of its narrator, and in this case Will Collyer does not disappoint. He beautifully captures the complexity of the novel’s antihero, Eric Kennedy aka Eric Schroder. In a youthful attempt to remake his life, Eric fabricates a history and a name for himself—that name being Kennedy and that history involving distant kinship with the Hyannis Port Kennedys. Sticking with his fake identity into adulthood and through marriage, it’s only a matter of time before the house of cards begins to fall. Because Collyer is so effective in his portrayal of Eric, it’s easy for listeners to be taken in by the character. Listeners will want to believe him—even root for him. Eric’s narcissism knows no bounds, and his choices lead to disaster. As voiced by Collyer, this compelling character is fully believable, even as he slides into darkness. A Twelve paperback.