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Call Them by Their True Names

American Crises (and Essays)

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1 of 1 copy available
1 of 1 copy available
“[A] call to arms that takes on a range of social and political problems in America—from racism and misogyny to climate change and Donald Trump” (Poets & Writers).
 
National Book Award Longlist
Winner of the Kirkus Prize for Nonfiction
Winner of the Foreword INDIE Editor’s Choice Prize for Nonfiction
 
Rebecca Solnit is the author of more than twenty books, including the international bestseller Men Explain Things to Me. Called “the voice of the resistance” by the New York Times, she has emerged as an essential guide to our times, through incisive commentary on feminism, violence, ecology, hope, and everything in between.
 
In this powerful and wide-ranging collection of essays, Solnit turns her attention to the war at home. This is a war, she says, “with so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later.” To get to the root of these American crises, she contends that “to acknowledge this state of war is to admit the need for peace,” countering the despair of our age with a dose of solidarity, creativity, and hope.
 
“Solnit’s exquisite essays move between the political and the personal, the intellectual and the earthy.” —Elle
 
“Solnit is careful with her words (she always is) but never so much that she mutes the infuriated spirit that drives these essays.” —Kirkus Reviews (starred review)
 
“Solnit [is] a powerful cultural critic: as always, she opts for measured assessment and pragmatism over hype and hysteria.” —Publishers Weekly
 
“Essential reading for anyone living in America today.” —The Brooklyn Rail
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    • Kirkus

      August 1, 2018
      For those heartsick at Trumpism, essayist and Harper's contributing editor Solnit (The Mother of All Questions, 2017, etc.) offers context and support. Optimism? You're on your own.As the author argues in this fiery clutch of essays, optimism isn't a particularly helpful attitude anyway. Optimism--and its obverse, pessimism--are "false certainties" that "let us stay home and do nothing" in response to hard-line, bigoted conservatism. It is better, she argues, to cultivate hope, "an informed, astute open-mindedness." That's a thesis Solnit has explored often, particularly in her 2009 book on Hurricane Katrina and other tragedies, A Paradise Built in Hell, and she's persuasive at marshaling a case for the long view while being cleareyed about the degradations of the moment. The 1916 Irish rebellion against the British, for instance, paved the way to independence two decades later, and years of steady pressure led to the removal of Confederate statues in New Orleans in 2017. So don't despair: "We don't know what will happen next and have to live on principles, hunches, and lessons from history." Which is why the author doesn't mind the criticism that liberal pundits like her are preaching to the choir by reasserting principles and history lessons: The choir represents the "deeply committed" who need encouragement. Stoking that support in part demands attacking doublespeak that enables bigotry and unethical behavior from governments. She explores this most effectively in "Death by Gentrification," an investigation of the shooting of a San Francisco man by police and the rhetorical pretzels police used to blame the victim. Telling the story wrong, with the wrong words and framing, threatens democracy, she exhorts journalism school graduates in one essay. Her own work is a model of doing it right.Solnit is careful with her words (she always is) but never so much that she mutes the infuriated spirit that drives these essays.

      COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      August 13, 2018
      In this thought-provoking series of political essays, Solnit (The Mother of All Questions) attempts to diagnose the present maladies of American culture. These afflictions include a preference for outrage instead of dialogue, police brutality and the mass incarceration of African-American men, and gentrification and economic inequality. The most trenchantly addressed problem is that of American isolationism, a slippery slope, as Solnit explains: “If you begin by denying social and ecological systems, then you end by denying the reality of facts, which are... part of a network of systematic relationships among language, physical reality, and the record.” Solnit argues throughout that truthful language is vital, and that “one of the crises of the moment is linguistic,” thanks in large part to misleading speech by President Trump. He is described as suffering from a malady himself, one contracted when one is constantly surrounded by sycophants and deprived of normal human interaction and “the most rudimentary training in dealing with setbacks.” (Solnit does not offer these as excuses, merely explanations.) The collection ends with essays outlining the most successful practices of journalists and activists fighting against injustice, inequality, and ignorance. These in particular indicate what makes Solnit such a powerful cultural critic: as always, she opts for measured assessment and pragmatism over hype and hysteria.

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